![]() Eventide Device Manager software (EDM) with extensive editing options (updates, presets, utility, etc.Compatible with Disaster Area Designs MIDI Box,Chase Bliss MIDI Box,or Meris MIDI I/O.MIDI functionality via TRS adapter cable. ![]() Aux switch for tap tempo or preset change.Six knobs for intuitive parameter control.Mapping option of the different parameters via expression pedal.Legendary Blackhole effect sound in one pedal.Transform your sound from tiny "matchbox"-space to endless oceans of infinity and alter your perception with the mindblowing Gravity-effect. Delivering rich, complex textures, mesmerizing rhythmic effects and atmospheres that go well beyond the average reverb effect, the Eventide Blackhole pedal is. The EXP socket allows for external tap tempo for the pre-delay or preset recall via a triple footswitch.The legendary Eventide Blackhole effect, intuitive to use, in one dedicated pedal.īlackhole holds the whole reverb cosmos. A press-and-hold on Freeze puts the pedal in Preset mode where it can scroll through the five presets hitting the Active switch will load the selected one.įurther foot control is available by plugging in an expression pedal, which can have any combination of parameters mapped to it for a complete morphing of the soundscape. The footswitches can also call up presets. ![]() It was instantly my new fave, as it enabled me to. The latching Freeze footswitch will get the last bit of reverbed playing sustaining on while you play over it, albeit with the pedal’s dry sound, which might be too much of a contrast in ambience for some tastes. I first became aware of the Blackhole as a preset in Eventides Space reverb pedal Tape Op 87 in mid-2011. Here’s Eventide’s Collin Bevan demonstrating Blackhole using Roland, Moog, Arturia, and Black Corporatio. Primarily the bypass, the Active switch can be latching or momentary for short blasts of effect. Hear how the Blackhole pedal sounds on synthesizers. Use in performance has been amply catered for with the two footswitches, each having multiple functions. I largely have a mix of Strymon and Boss in this area with the Empress EchoSystem too. Before Strymon kind of took over with its Mobius, TimeLine and Big Sky. While the hands-on knob tweaking is great here, the EDM software makes it even easier with every parameter laid out in front of you, as well as instant access to Eventide’s 28 carefully programmed factory presets, which really explore the unit’s capabilities. Eventide really kicked this sort of thing off with its quartet of ModFactor, PitchFactor, Space and TimeFactor. There’s a world of esoteric soundscapes waiting to be dialled in with ethereal evolving pads built from reverb, delay and modulation nestling behind your playing. In fact, its forte is long lingering clouds of uniquely textured ambience. This pedal is more about creating otherworldly spaces. There are some conventional reverbs to be coaxed out of the pedal – and yet the Blackhole is not about halls, rooms and so on. With all of those parameter choices, there’s a staggering range of unusual ambiences available here. An 85 short-scale S-style with a HSS pickup configuration, Harley Benton’s ST-Junior HSS SBK Standard Series might be the ultimate beginner electric guitar. producing a mild chorus or a more extreme detuning effect. The legendary Eventide Blackhole effect, intuitive to use, in one dedicated pedal. The Strymon Cloudburst is the top-selling new pedal on Reverb in 2023, but overall Boss is still the boss By Rob Laing 12 December 2023. It’s also possible to add modulation via the Rate and Depth knobs. The Decay character of the reverb tail can be adjusted by the Gravity knob, gradually increasing the duration and density of a conventional fading envelope to its right, and offering the same for a reverse decay to its left for a trippier vibe.īesides these, you can add up to two seconds of pre-delay before the main body of the reverb kicks in, and there’s a Feedback knob, adding repeats to extend the effected sound further up to an Infinite mode where you can continuously layer new sounds on top of a suspended reverb.Ī pair of Lo and Hi filters takes care of conventional tonal tasks such as reducing low-end murkiness or taming/enhancing the high-end, and there’s variable resonance for these so you can turn a simple treble boost into an edgy metallic sheen, for example.
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